ART TUBE MP MICROPHONE PREAMP

by J. Arif Verner

Tubes are hot, and that's not meant to be a pun! Over the last three years, a plethora of new tube gear hit the market.

Applied Research and Technology (ART) has entered the arena with the transformerless Tube MP.

Much of the new tube gear adopted a 1950's retro look. The Tube MP ($149) takes a different approach. It's very 1990s and quite chic in its own way. But more importantly, this box is portable, easy to use and sounds good. ART also offers two other MP models as rack mounts-a stereo version called the Dual MP ($329) and its top­of­the­line Pro MPA ($599).

Features

This compact single­channel mic and instrument preamp measures in at about 5" x 5" x 1.5". With portability in mind, this box is ideal for the musician or engineer who's on the go.

At the heart of the Tube MP is a combined 12AX7A tube/solid state design that is visible from the top panel. The top­mounted input and output level controls are rotary pots. There are push­button controls for +48 Phantom power, phase reverse and +20 dB gain. The input control handles levels between +6 dB and +40 dB. With the gain button pushed in, the overall level is increased by +20 dB. And with the output control set to max, an additional 10 dB can boost total gain to +70 dB.

Also on the top panel is a dualcolor LED. Green indicates power, while red means clipping. Unfortunately, the Tube MP doesn't have an on and off switch. Which brings us to the power supply.

On the back side of the metal box is a jack for the 9 V AC adapter. Yes, it connects to yet another "wall wart." Also on the side are active balanced XLR and standard TS 1/4" inputs and outputs. The XLR inputs utilize a hybrid multiple­paired transistor/op­amp design. The high impedance of the input prevents loading of any device connected to it. The two 1/4" connectors are unbalanced. The company states that the Tube MP should only be used with one input signal.

In use

The box can comfortably double as a mic preamp or an instrument direct box. As desired, the signal then can be routed into a console, signal processor, tape recorder or amp.

I tried the Tube MP on several instruments and with voice. Overall, the sound was warm and balanced. Acoustic instruments displayed fine detail. The high end was not quite as smooth as with more expensive preamps, but what do you want for under $150? Sound was still pretty good. I found the +20 dB control a nice addition. This button allows you to determine your gain settings in relation to available head room. And the Tube MP was very quiet. Input noise is rated at 129 dBu for XLR connectors and 105 dBu for 1/4".

Summary

With its good performance, compact size and versatility-and under $150 retail-how can you say no?

Contact: ART at 716­436­2720;